I watched this film as a political act at the weekend, not realising that Occupy protesters worldwide were wearing masks from the film.
I have always admired this film, not for its action sequences or because it’s cool, but because it has an important message of solidarity and hope to the people, and reminds governments that they are here to serve us, and that they will not last if they subjugate us and terrify us. The tag line is:
People should not be afraid of their governments
Governments should be afraid of their people
Believing that, I ironically felt fear to post this – hence the delay after Guy Fawkes night – because I do not feel free to express my views without reprisal. But that is not what this country is about or should be about.
Like the Occupy movement, I don’t believe in violence, at all (read my next post on poppies and war). Unlike V, I don’t want to harm even the people who have caused harm and who are the leaders (not that we in this country have any equivalent to Sutler et al anyway). Yet I hear that in America, police are searching homes for V masks; and that in London they forced a protester to demask. And I hate how the internet is at once a voice and also an easier way to have that voice traced and silenced.
My favourite moment of the film is when, having no response from their leaders, the army makes its own choice and decides to stand down. Note that the crowd does not prise the weapons from the military and use them, but peacefully walks past.
I was gutted to see the Houses of Parliament explode when I first watched this film as they are my favourite buildings in the world, and I love all they stand for about my country’s history. A corrupt inhabitant does not mean the building has to go. Since first seeing this, I have visited Scotland’s parliament and been very inspired by the ethos behind this national symbol.
It’s made me think what Westminster’s says: built in a style of a bombastic, violent war hungry king who treated women badly, at a time of colonising other countries, of imperialism, of business men becoming rich, of classism, whilst prisons, asylums and workhouses controlled and institutionalised the poor.
Or I can see that Tudor gothic as a symbol of times when women ruled: Anne Boleyn who I with others see as the woman behind England’s reformation, a step away from corruption and the courage to stand alone; Elizabeth I, who is credited with greater tolerance; and the next woman on the throne, Victoria, another popular and famous monarch, times of great achievement and moving forward, heralding new ages.
As those who believe that 2012 is a special year – other than the Olympics – count down to the dawning of the next new age, what symbol our parliament is for becomes important. I was pleased that V for Vendetta was recently shown on BBC, [Britain’s oldest and official TV provider] although I noted one TV guide downplay it as ‘futuristic action fantasy’. My hope is that leaders will watch the film and think where they are taking their country, and before it reaches a V for Vendetta type dictator state, stop and change direction. When I first saw this film, I feared for the leadership and direction of my nation – and now with a new government, I still do. Recent world wide riots and overthrows make this film feel more relevant than ever.
Revolution begins in the heart: what did Wonder Woman do to change the world? (see my summer entry). And for that matter, Jesus.